him for the whole of his life. In the summer of 1978, by which time he was emeritus at the University of Chicago, he visited an excavation that William Marquardt and I were directing in Kentucky. He took pity on the graduate student geoarchaeologist who was struggling to encase a set of bulky sediment cores for transportation to the palynological laboratory at the University of Minnesota. Taking charge of the hammer, nails, and pieces of plywood collected for the job, he assembled the requisite number of sturdy sample boxes in a matter of minutes.

Bob Braidwood’s career in anthropological archaeology began shortly after he completed a degree in architecture at the University of Michigan in 1929 and spent several months in an architectural office. The impact of the Great Depression made a future in architecture highly problematic, so he returned to Michigan to undertake coursework in two other areas that had interested him as an undergraduate: ancient history and anthropology. One of his ancient history classes was taught by Professor Leroy Waterman, a philologist and an expert on the correspondence of Neo-Assyrian rulers, who was then directing excavations at Tell Umar (ancient Selucia-on-the-Tigris), a large site south of Baghdad. At some point during that course, Waterman required each student to prepare a chronological chart showing highlights of history and cultural development for the ancient Near East. Because of the training he had received in drafting and lettering during his brief career in architecture, Braidwood—according to the story he told his students several decades later—produced such an impressive piece of graphics that Waterman invited him to join the University of Michigan’s Selucia archaeological expedition as an architectural surveyor for the nine-month field season of 1930-1931. As a result of this experience Bob published a paper on Parthian jewelry, obtained the data for his master’s



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